I saw Cotton Mather at SXSW this year, a group that had long ago broken up and which had just come back together. Here’s My Before and After, a track from that band from their 1997 album Kon Tiki.
I saw Cotton Mather at SXSW this year, a group that had long ago broken up and which had just come back together. Here’s My Before and After, a track from that band from their 1997 album Kon Tiki.
I had never heard of Uncle Lucius until I saw them at SXSW a few weeks ago. They played a set that night which consisted of mostly rockers. I don’t remember them playing this much quieter song, recorded by the folks at Music Fog a few years ago, but it seems appropriate for a Sunday morning.
One of my personal highlights of SXSW 2012 was seeing Lydia Loveless for the first time. Here’s a video of Lydia singing Steve Earle, a song from her latest album, Indestructable Machine. Not it’s not about Steve, but a Columbus, Ohio Steve Earle wannabe.
I caught my first glimpse of The Heartless Bastards last Tuesday at SXSW. They were playing in an extremely hot and extremely crowded club and the place was so uncomfortable that I decided to leave before I was dehydrated, trampled or both. When I did catch the band play a full set a few days later, I knew I had found a winner. This video is really just a picture of the cover of Arrow, the new record from the band, but the song, Only For You, is a keeper.

A few more words about Chuck Prophet‘s show at The Yard Dog Party on Saturday: This was a show to remember for several reasons. Everyone there seemed to be a long time fan of Chuck. That lead to some songs becoming virtual sing alongs. So when the power to the stage died the first time (it did so twice), the audience just keep singing along to the song, even if Chuck and the band had stopped playing. And when Chuck played You Did (the verses of which end with “you did”), the audience of about 100 would first sing “you did” and point at Chuck, and then he would return the favor. It was just electric.
As I’ve mentioned previously, Every year at SXSW I run into my classmate from 12th grade math, music and sports writer Billy Altman. It happens without planning but with almost clockwork-like precision. When we ran into to each other this year we started by talking about where we were staying. Billy was in the hotel I usually stay at; his first choice was sold out. Billy’s first choice was where I was staying; I was shut out when I tried to get my first choice. We contemplated that the only way possible, over a couple of beers.
Shooter Jennings and his band, The Triple Crown, were at SXSW 2012. Although I did not see him then, I ran into Alana Amram (of Alana Amram and The Rough Gems) who told me that Shooter was amazing when he played this song. I would have expected that to be the case anyway, as the couple of times I saw Shooter and The Triple Crown play this song here in NYC, amazing was the description of the song I would have used too.

If a single picture can sum up the spirit of SXSW, this one probably comes close. Here is Garland Jeffreys playing in the alley behind an art gallery while Chuck Prophet (whose set was next) watches.
Here is the box score from Saturday, this time with a couple of hits and even a home run.
| Bands | Comments |
|---|---|
| The dBs | Yes, a second time. The band has reformed with its original members and have an album coming out in June. Lyric driven rock. |
| Joe “King” Carrasco and The Crowns | Back after 30 years, this Tex-Mex party band still has it. |
| John Fullbright | I caught the end of his set. Solo singer-songwriter. |
| Mike Farris | Folk-gospel played solo. Mike has one of the most amazing voices out there and it feels like he’s channeling all his emotions into each song. |
| Garland Jeffreys | An NIHE favorite. Garland just killed it. Most of his songs were from his last album, The King of In Between, with a bunch of old favorites as well. A hit! |
| Chuck Prophet | Another NIHE favorite. Chuck’s live shows are always something and this was no different, even though the power went out twice during his set. Although Chuck mostly played songs from his new album, Temple Beautiful, he closed with You Did which seemed to have the whole crowd dancing. A home run! |
| Norah Jones | Norah played just her new album, Little Broken Hearts with her new band. It’s musically interesting. Lyrically, it’s another break up album, probably the same break up which fueled her last album, The Fall. Update: Nope, this is a different break up! |
| Cotton Mather | Somewhat jangly Byrds-REM type rock. |
| Lydia Loveless | Rock, Americana, alt country and even alt Fleetwood Mac (she covered Go Your Own Way). Lydia has a voice that’s somewhat reminiscent of Kelly Willis and Gina Villalobos. A hit! |

Two hits; one error. But one of the hits was a home run, exactly the reason one comes to SXSW.
| Bands | Comments |
|---|---|
| Gary Clark Jr. | Solo show. The blues expertly played by a fantastic guitarist and an expressive singer. |
| Shearwater | Tuneful indie rock that never fogets that rock has a beat. |
| Blitzen Traper | Neo-classic rock. Most of what I heard would have been right at home in 1974, but some of their quieter stuff lacked umph. |
| The Heartless Bastards | Straight ahead rock with a female lead singer. I had seen a song or two from them on Tuesday night before I had to leave a excessively hot and crowded club; this time the surroundings were better. I can’t say enough about this band; the real rock deal. A hit? No, more than that; they are a home run! |
| The War on Drugs | Trance rock. I saw them at Austin City Limits, but the sound was so loud, that even though I was wearing musicians’ earplugs, I left ASAP. I’ll score this one an error. |
| Sydney Wayser | An NIHE favorite with a new album about to be released (March 27th). This time around Sydney’s indie sensibilities are joined with more muscular arrangements. Last night was the first time I heard Sydney perform a reggae infused number. |
| Rachel Yamagata | Pop ballads and rock; Rachel’s set was unfairly cut short by technical issues. |
| Uncle Lucius | Blues based rock with some soulful vocals; a hit by my score. |
| Sister Sparrow and The Dirty Birds | Another NIHE favorite. Arleigh and the band played a set that veered more heavily to funk than what I have seen them do in the past. But the band and the audience were all having a great time. The last six months on the road for Sister Sparrow and the Dirty Birds have honed their show. |

Wednesday was a very productive day. Here’s how it went:
| Bands | Comments |
|---|---|
| The Gilded Splinters | Rock with both Southern Rock and Neil Young influences |
| Deadman | Roots rockers influenced by The Band. Band includes 2 electric and and acoustic guitar and a b3 organ. Caught them for the first time at last year’s SXSW and they did not disappoint. A hit! |
| James McMurtry | Played solo; an excellent guitarist |
| The dBs | The band has reformed with its original members and have an album coming out in June. Lyric driven rock. |
| Michael Kiwanuka | Folk-blues; played with a second guitarist |
| Alabama Shakes | The “it” band this time around. “It” is soul and blues. They are excellent, and you may like them, but for some reason I can’t explain, I just don’t connect with them. |
| Harper Blynn | The NIHE favorites played with pop tinged rock while fighting sound problems. Still an excellent set. |
| Fiona Apple | I guess this is her comeback; all I can say is that I did not like her. |
| Will Sexton | Country, Americana and rock. Excellent show and another band with two electric and an acoustic guitar. |
| The Mastersons | Another NIHE favorite band playing an excellent show of Americana and rock. |
| Treetop Flyers | Americana and rock from England and yet another band with two electric and an acoustic guitar (is this now officially a trend?). Some of their material is reminiscent of the 70s band The Ozark Mountain Daredevils. |